



Our group project is fight.
"A glove lost by astronaut Ed White on the first American space-walk, a camera Michael Collins lost near the spacecraft Gemini 10, garbage bags jettisoned by the Soviet Mir Cosmonauts throughout that space station's 15-year life, a wrench and a toothbrush." -Edward Tufte









This was for my digital imaging class, designed for a band that is kind of imaginary right now. Rae is planning to get an acoustic guitar. Then we'll be in business. I told her we should use it if we ever made an actual CD, and then, being the responsible and logical individual she is, she proceeded to tell me about copyright issues with appropriated images.
As you might have noticed from my facebook status, I am currently a staff illustrator at a start-up alternative magazine called The Fine Print. The last few days have been hectic because I'm on the layout and design team and everything is due on Friday.
This blog post is a preview of my illustrations for the magazine, as well as a plug to get anyone who reads this blog to read The Fine Print so I can continue to make fun illustrations. The Fine Print is free, so I am reminding you that you don't need to pay in order to get this...and so much more. September 3rd, people!
Although I have done a great deal to cover the white space on the walls in my room with prints by Mucha and pictures of Jesus with Alannah’s face over his and drawings of the Swamp Beast from last year’s Japanese class, there are still some blank spaces of white on my walls, above the gray smudges of my footprints.
I don’t have enough things yet to cover them. I refuse to use anything that is less amazing then anything else I have put up. My standards are a little high, I guess.
Still, I’ve come to enjoy those blank spaces. I think they remind me of how young I am, how much I still have left to do and learn. I will have so many more memories to hang on my walls. I’ll fill them up until there is no space left. Then I’ll be ready to die.
For now, when I look too closely at the blank spaces, I see roads and crossroads, experiences I haven't had yet, places and people I want to be. They shift off into the distance like mirages. I’m sure if I turned around, I would see paths already traveled. I never turn around, though. I’ve learned to think that it is better to look ahead than behind, better to leave someone staring at your back than to be left staring at theirs.
I want to walk straight into those blank spaces. I know I’ll find the things I’m looking for.
As I walked out one evening,Walking down
The crowds upon the pavement
Were fields of harvest wheat.
And down by the brimming river
I heard a lover sing
Under an arch of the railway:
'Love has no ending.
'I'll love you, dear, I'll love you
Till China and Africa meet,
And the river jumps over the mountain
And the salmon sing in the street,
'I'll love you till the ocean
Is folded and hung up to dry
And the seven stars go squawking
Like geese about the sky.
'The years shall run like rabbits,
For in my arms I hold
The Flower of the Ages,
And the first love of the world.'
But all the clocks in the city
Began to whirr and chime:
'O let not Time deceive you,
You cannot conquer Time.
'In the burrows of the Nightmare
Where Justice naked is,
Time watches from the shadow
And coughs when you would kiss.
'In headaches and in worry
Vaguely life leaks away,
And Time will have his fancy
To-morrow or to-day.
'Into many a green valley
Drifts the appalling snow;
Time breaks the threaded dances
And the diver's brilliant bow.
'O plunge your hands in water,
Plunge them in up to the wrist;
Stare, stare in the basin
And wonder what you've missed.
'The glacier knocks in the cupboard,
The desert sighs in the bed,
And the crack in the tea-cup opens
A lane to the land of the dead.
'Where the beggars raffle the banknotes
And the Giant is enchanting to Jack,
And the Lily-white Boy is a Roarer,
And Jill goes down on her back.
'O look, look in the mirror?
O look in your distress:
Life remains a blessing
Although you cannot bless.
'O stand, stand at the window
As the tears scald and start;
You shall love your crooked neighbour
With your crooked heart.'
It was late, late in the evening,
The lovers they were gone;
The clocks had ceased their chiming,
And the deep river ran on.
"If we imagine the eyes as navigational devices, we do so in order not to come to terms with what seeing really is. Seeing is like hunting and like dreaming, and even like falling in love. It is entangled in the passions - jealousy, violence, possessiveness; and it is soaked in affect - in pleasure and displeasure, and in pain. Ultimately, seeing alters the thing that is seen and transforms the seer. Seeing is metamorphosis, not mechanism."
